Interior of National Sawdust, New York. Designed by Bureau V. Photography by Floto + Warner
National Sawdust is a dynamic non-profit cultural institution that commissions, produces, and presents programming rooted in sound and supports multidisciplinary artists and arts organizations in the creation of innovative new work. Founded in 2015, National Sawdust operates out of an intimate space, equipped with a state-of-the-art Meyer spatial sound system, in Williamsburg, Brooklyn, where it is one of the few remaining cultural venues. The New York Times has described National Sawdust as “a triumphantly successful performance space that stands for a hip, sophisticated brand of new music.” Composer Paola Prestini, who co-founded National Sawdust, serves as its artistic director, alongside managing director Ana De Archuleta, making National Sawdust one of the few New York cultural institutions led by women.
National Sawdust provides artists across musical genres and artistic disciplines with comprehensive support including commissions, workshops, residencies, public performances, recording, mentorship, and professional development. It aims to be not only a home for its community of artists, but also a place for audiences to discover wide-ranging music at accessible ticket prices. The institution’s mentorship initiatives counteract industry barriers and the historic marginalization of diverse communities in the arts, providing artists and arts workers with guidance, resources, and relationships with established visionaries to accelerate their careers.
Founded by Kevin Dolan and designed by Brooklyn’s Bureau V, National Sawdust is constructed within the existing shell of a century-old sawdust factory, preserving the authenticity of Williamsburg’s industrial past while providing a refined and intimate setting for the exploration of new music. At the venue’s core is a flexible chamber hall, acoustically designed by renowned engineering firm Arup to provide the highest-quality experience of both unamplified and amplified music.
Last updated: March 14, 2025